Original purpose of my color coding of urban objects lay in the fact that the focus on the details of the viewer to distract him from everyday life, to engage in a process of continuous search. But during the creation of this series, I got more and more across an object, even before I carefully painted in red. Doubting the wisdom of my accent gradually sense the action went on there, but I continued to do so instinctively. Thus, the series has gained quite nonspectacular position. Changing facilities only me and I also seen. Thinking about this led to the conclusion that I was more attracted to a process whose attributes (illegality, secrecy, spray-paint) are similar to illegal graffiti bombing practiced by me in the early 2000s and now makes me nostalgic feelings.